ANDY DENZLER/
BETWEEN THE SHADOWS

In his new series, Andy Denzler examines the space in between the moments of empty space on the canvas surface, as a continuous exploration of what he does not see or what appears in the composition as a latent ambiguity.


Poetic, mysterious, oneiric. Opera Gallery welcomes you to Between the Shadows and invites you to explore this nostalgic voyage through Denzler's universe, where shadows and light play together on the canvas to offer an existential meditation.

Andy Denzler

Falling Out of the Shadow I
2022
Oil on canvas
140 x 120 cm | 55.1 x 47.2 in

Andy Denzler

Edge of Desire II
2022
Oil on canvas
200 x 180 cm | 78.7 x 70.8 in

Andy Denzler

Study of a Small Interior
2022
Oil on canvas
70 x 80 cm | 27.5 x 31.5 in

Andy Denzler

Abstract Thoughts I
2022
Oil on canvas
210 x 180 cm | 82.7 x 70.9 in

Andy Denzler

Fragmented Chair
2022
Oil on canvas
210 x 180 cm | 82.7 x 70.9 in

His images are unpredictable and unlikely, but undoubtedly mysterious and enticing. They are scenes of reality, but the sense of unreality prevails in them.

Artnoid 178, Park Kyum-Sook
National Museum of Modern and Contemporary Art, Ko Seung-Hye

Andy Denzler

Falling Out of the Shadow II
2022
Oil on canvas
140 x 120 cm | 55.1 x 47.2 in

Andy Denzler

Motion Study of Ella II
2022
Oil on canvas
Triptych: 180 x 150 cm | 70.9 x 59.1 in

Andy Denzler

Abstract Thoughts III
2022
Oil on canvas
120 x 140 cm | 47.2 x 55.1 in

Andy Denzler

Black on Maroon II
2022
Oil on canvas
120 x 140 cm | 47.2 x 55.1 in

Denzler's paintings have a unique palette of ochers, browns, blacks, flesh tones and grays, that make them readable and naturalistic images infused with energy.

Noah Becker Art critic and founder of Whitehot Magazine

Andy Denzler

Abstract Thoughts II
2022
Oil on canvas
120 x 140 cm | 47.2 x 55.1 in

Andy Denzler

In the Treehouse
2022
Oil on canvas
120 x 140 cm | 47.2 x 55.1 in

Andy Denzler

Woman with Tapedeck
2022
Oil on canvas
140 x 120 cm | 55.1 x 47.2 in

Andy Denzler

Study for Fragmented Chair
2022
Oil on canvas
60 x 50 cm | 23.6 x 19.7 in

Andy Denzler

Edge of Desire IV
2022
Oil on canvas
210 x 180 cm | 82.7 x 70.9 in

Andy Denzler

Study for Portrait of P. in Maroon
2022
Oil on canvas
60 x 50 cm | 23.6 x 19.7 in

Andy Denzler

Study for Portrait of P. in Cream
2022
Oil on canvas
60 x 50 cm | 23.6 x 19.7 in

“I am trying to get closer to reality and experiment with how to create an emotional connection between the viewer and the subject.”

-Andy Denzler

Andy Denzler

The Laughing one
2022
Oil on canvas
60 x 50 cm | 23.6 x 19.7 in

Andy Denzler

The Painter's Room VII
2022
Oil on canvas
Triptych: 180 x 450 cm | 70.9 x 59.1 in

Andy Denzler

Black on Maroon I
2022
Oil on canvas
180 x 150 cm | 70.9 x 59.1 in

“When I paint, I'm not trying to replicate what's in the photograph, it's something else, I try to paint what I don't see.”

-Andy Denzler

Andy Denzler

Study for Portrait of P. in Black
2022
Oil on canvas
60 x 50 cm | 23.6 x 19.7 in

Andy Denzler

Black on Maroon III
2022
Oil on canvas
180 x 150 cm | 70.9 x 59.1 in

Andy Denzler

Study for Portrait of E
2022
Oil on canvas
Triptych: 50 x 120 cm | 19.7 x 47.2 in

“My intention is to work with time. Because the paint is drying fast on the canvas, and because I am working wet-on-wet, I have to paint against time as well. The appearance of two different layers on the painting shows, in a way, the past and the present, or fiction and reality.”

-Andy Denzler

Andy Denzler

Horse in Black on Maroon
2022
Oil on canvas
50 x 60 cm | 19.7 x 23.6 in

Andy Denzler

Buffalo Dusk
2022
Oil on canvas
200 x 300 cm | 78.7 x 118.1 in

“My landscape compositions are usually invented, even my figures, which are based on photographs, are taking on new identities or even different characters appear.”

-Andy Denzler

Andy Denzler

It's Getting Stormy
2022
Oil on canvas
50 x 40 cm | 19.7 x 15.7 in

Andy Denzler is a Zürich-based artist. After studying at F&F Schule für Gestaltung Zürich and UCLA, he went on to train at Pasadena’s ArtCenter College of Design, followed by a Master of Fine Arts degree at the Chelsea College of Art and Design (now the Chelsea College of Arts) in London. Denzler’s approach is figurative, working large scale using oil on canvas. His method is to add dynamic new layers to the traditional art of capturing the figure using paint. Treating oil paint as if they were cinematic, his compositions are given an additional layer of dynamism and life through the sweeps and cuts Denzler makes on the surface before the paint is fully dry. These interventions reference the fast forward and paused distortion of a videotape head clamping down on a freeze frame, or the jagged interpolations of a digital glitch. The portraits become animated, as if stills from an imaginary film, with figures – often posed in diptychs and triptychs – set against fantastical or cinematic backdrops. Denzler has exhibited in galleries around the world, with recent shows in Geneva, New York, Seoul and Berlin. Denzler also uses juxtaposition, incorporating classical modes of composition and framing that are subtly undermined and subverted by his painting technique.